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In small-town suburban Australia, three young men from three different ethnic backgrounds—one Samoan, one Macedonian, one not sure—are ready to make their mark. Solomon is all charisma, authority, and charm, a failed basketball player down for the moment but surely not out. His half-brother, Jimmy, bounces along in his wake, underestimated, waiting for his chance to announce himself. Aleks, their childhood friend, loves his mates, his family, and his homeland and would do anything for them. The question is, does he know where to draw the line?
Solomon, Jimmy, and Aleks are way out on the fringe of Australia, looking for a way in. Hip hop, basketball, and graffiti give them a voice. Booze, women, and violence pass the time while they wait for their chance. Under the oppressive summer sun, their town has turned tinder-dry. All it’ll take is a spark.
As the surrounding hills roar with flames, the change storms in. But it’s not what they were waiting for. It never is.
- Sales Rank: #1128309 in Books
- Published on: 2016-01-12
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x 1.00" w x 5.40" l, .0 pounds
- Binding: Paperback
- 352 pages
Review
Praise for Here Come the Dogs:
“This is fully realized depiction of how art and life inform each other.”
—Publishers Weekly
“[B]rilliant...Immediate and compelling, this one deserves a place on the shelf next to Trainspotting or The Electric Kool-Aid Acid Test. Both a snapshot of a specific time and place, and an examination of the broadness of humanity, Here Come The Dogs is filled with stinging insights.”
—Cleaver Magazine
"Musa's writing is beautiful, absolutely beautiful. Here Come The Dogs is vision and transformation, the highest form. You'll see a new Australia and hear a new and vital voice."
—David Vann
"A beautiful and angry book. Musa is a poet and every page of this book speaks to his ferocious talent.”
—Fatima Bhutto, author of Shadow of the Crescent Moon
"With compassion and urgency, Here Come the Dogs excavates the pain of those who struggle to remain part of a ruthless equation that has been determined by others."
—Los Angeles Times
“A bravado novel about survival and rebirth in a subculture that moves to its own rhythms.”
—Kirkus
“America please meet Omar Musa, a writer with the attuned ear of a great poet, the narrative gifts of seasoned novelist, and no slight exposure to the beautiful struggle. This book is like one of those hip-hop songs that forevermore becomes an anthem—this time for the disenfranchised aspirants of Australia. Read him now or suffer for it."
— Mitchell S. Jackson, author of The Residue Years
"The streets are alive with the sound of Omar Musa! Blood and fire, destruction and generation, nightmares and dreams, all converge in this breathtaking rendering of the forever-journey of masculine coming-of-age. Musa is a sterling stylist and the combination of poetry and prose, literary narrative and hip hop verse, in HERE COME THE DOGS does that impossible thing: creates a work unlike any other."
—Porochista Khakpour, author of The Last Illusion and Sons and Other Flammable Objects
“A beautiful and angry book. Musa is a poet and every page of this book speaks to his ferocious talent.”
—Fatima Bhutto, author of The Shadow of the Crescent Moon and Songs of Blood and Sword: A Daughter’s Memoir
"Omar Musa is a brother to the world. His words inspire courage and a genuine desire to experience justice in the modern world."
—Marc E. Bassy
"Musa's writing is beautiful, absolutely beautiful. Here Come The Dogs is vision and transformation, the highest form. You'll see a new Australia and hear a new and vital voice." — David Vann, author of Aquarium, Goat Mountain, and Legend of a Suicide
"This stunning novel has such swaggering exuberance that it will make most other fiction you read this year seem criminally dull. You have been warned."
—Irvine Welsh
"Omar Musa’s writing is tough and tender, harsh and poetic, raw and beautiful; it speaks to how we live and dream now. This novel broke my heart a little but it also made me ecstatic at the possibilities of what the best writing can do. His voice is genuine, new and exciting; his voice roars."
—Christos Tsiolkas, author of The Slap
"At once tender, beautiful, gritty, and raw."
—The Guardian
About the Author
Omar Musa is a Malaysian-Australian rapper and poet from Queanbeyan, Australia. He has opened for Gil Scott Heron and performed at the Nuyorican Poets Caf� in New York City. He attended University of California Santa Cruz. He has released three hip hop albums and two poetry books, and he received a standing ovation at TEDxSydney at the Sydney Opera House. He lives in Australia.
Most helpful customer reviews
1 of 2 people found the following review helpful.
‘Where are these c---s?’
By Jennifer Cameron-Smith
Thus begins Omar Musa’s novel. It’s written in a combination of poetry and prose, and examines the alienation, disempowerment and dislocation of three young men on the fringes of Australian urban society. The three young men, Solomon Amosa, a Samoan, his ‘beige’ coloured half-brother Jimmy and Solomon’s best friend Aleks Janeski, a Macedonian, attend a local greyhound race meeting. The men talk about dog racing (it will be the last race for a dog called Mercury Fire), about women, about hip-hop. Solomon, who went to a private school on a basketball scholarship is both the most personable and the most self-aware. Jimmy, who doesn’t know who his father is, doesn’t know where he belongs. Aleks, married with a small daughter, is trying to improve their situation. He does a bit of graffiti (‘graff’), but ends up in prison in association with drug trafficking.
‘This has always been a land of fire.’
So, what makes this story work? Does the poetry fracture the prose, or unify it? What forms will their individual struggles for identity take? And how does hip-hop work as a unifying force? There’s constant movement in this novel, the rhythm of the poetry, the beat of the music underscore the activity, and the environment itself is not passive. There’s sense of foreboding, of possibility and of danger.
‘The day hot and strange and flattened, almost monochrome.’
Although in many ways Solomon was the most likeable and articulate of the characters, it was Aleks I felt most sympathy for. I could sense his loss: trying to provide for a family, lost between the Macedonian culture of his youth and the Australian culture of his adoption. Jimmy has even less of a clear identity, and sense of belonging, and this is going to erupt somewhere. Somehow.
At times I found the blend of poetry and prose dislocating: different languages, differing ways of communicating. But it worked well as a vehicle of telling the men’s stories and for grounding the hip-hop culture which unites them. This, for me, is a different way of exploring alienation and dispossession. One in which I am an outsider and have to work hard to understand. One in which I hope for positive new beginnings. This book is well worth reading.
Omar Musa is a Malaysian-Australian rapper and writer. He has released three albums, published two poetry books, and this is his first published novel.
‘No worries. I’ll be back.’
Jennifer Cameron-Smith
0 of 0 people found the following review helpful.
... too much dialogue but the story flowed and I enjoyed it and found it helpful in understanding a migrant ...
By jane stone
Perhaps a little too much dialogue but the story flowed and I enjoyed it and found it helpful in understanding a migrant life challenges
Very good
0 of 0 people found the following review helpful.
an entertaining novel.
By Luana L. Carter
an entertaining novel.
See all 7 customer reviews...
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